John Atkinson Grimshaw

British, 1836 - 1893

IMAGE GALLERY

26 pictures

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An Autumn Idyll  by John Atkinson Grimshaw
An Autumn Idyll
An Ode to Summer  by John Atkinson Grimshaw
An Ode to Summer
Autumn  by John Atkinson Grimshaw
Autumn
Autumn  by John Atkinson Grimshaw
Autumn
Day Dreams  by John Atkinson Grimshaw
Day Dreams
Dido  by John Atkinson Grimshaw
Dido
Elaine  by John Atkinson Grimshaw
Elaine
Endymion on Mount Latmos  by John Atkinson Grimshaw
Endymion on Mount Latmos
Full Moon behind Cirrus Cloud from the Roundhay...  by John Atkinson Grimshaw
Full Moon behind Cirrus Cloud from the Roundhay...
Golden Light  by John Atkinson Grimshaw
Golden Light
Iris: Her Autumnal Errand  by John Atkinson Grimshaw
Iris: Her Autumnal Errand
Lights in the Harbour  by John Atkinson Grimshaw
Lights in the Harbour
Midsummer Night  by John Atkinson Grimshaw
Midsummer Night
Moonlight After Rain  by John Atkinson Grimshaw
Moonlight After Rain
On the Esk, Whitby  by John Atkinson Grimshaw
On the Esk, Whitby
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BIOGRAPHY

John Atkinson Grimshaw was a Leeds painter of landscapes, town views and dockyards, especially at sunset or by moonlight. Born the son of an ex-policeman, Grimshaw first began painting while working as a clerk for the Great Northern Railway. He encountered bitter opposition from his parents, but after his marriage in 1858 to Theodosia Hobbarde, a cousin of T.S. Cooper, he was able to devote himself to painting. By 1870, he was successful enough to rent Knostrop Old Hall, a 17th century mansion near Temple Newsam, which features in many of his pictures. Later in the 70s, he built a house near Scarborough, and in the 80s rented a studio in Chelsea. Grimshaw painted mostly for private patrons, and exhibited only 5 works at the Royal Academy between 1874 and 1886, and one at the Grosvenor Gallery. The towns and docks that he painted most frequently were Glasgow, Liverpool, Leeds's, Scarborough, Whitby and London. Grimshaw's style and subject matter changed little during his career; he strove constantly to perfect his own very individual vision. He was interested in photography, and sometimes used a camera obscure to project outlines on to canvas, enabling him to repeat compositions several times. He also mixed sand and other ingredients with his paint to get the effects he wanted. Although he established no school, Grimshaw's pictures were forged and imitated in his lifetime, notably by Wilfred Jenkins and H. Meegan. Although his moonlit town views are his most popular works, he also painted landscapes, portraits, interiors, fairy pictures and neo-classical subjects. During his early period he signed "J.A. Grimshaw" but c.1867 dropped the John, and signed himself Atkinson Grimshaw. He usually signed his pictures on the front and the reverse, inscribed with the title. Two of his sons, Arthur and Louis, were also painters

FIND PRINTS & BOOKS

Fairies Postcard Set
Postcards  
Victorian Fairy Paintings: 24 Cards
Postcards  
120 Great Fairy Paintings CD-ROM and Book
Books + CD-Rom  
City Docks by Moonlight, Atkinson Grimshaw
Prints & Posters  
Fairy Art - Artists & Inspirations
Books  

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EXHIBITIONS ARCHIVE

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