Frances MacNair

British, 1874 - 1921

IMAGE GALLERY

12 pictures

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A Paradox  by Frances MacNair
A Paradox
A Pond  by Frances MacNair
A Pond
Autumn  by Frances MacNair
Autumn
Bows, Beads and Birds  by Frances MacNair
Bows, Beads and Birds
Design for Decorative Frieze  by Frances MacNair
Design for Decorative Frieze
Ill Omen  by Frances MacNair
Ill Omen
Ophelia  by Frances MacNair
Ophelia
Spring  by Frances MacNair
Spring
The Choice  by Frances MacNair
The Choice
The Moonlit Garden  by Frances MacNair
The Moonlit Garden
The Sleeping Princess  by Frances MacNair
The Sleeping Princess
The Sleeping Princess  by Frances MacNair
The Sleeping Princess
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BIOGRAPHY

Frances Macdonald, like her sister Margaret, Charles Rennie Mackintosh and Herbert MacNair (whom she married in 1899), belonged to the group known as 'The Four' which pioneered the Glasgow Style. She trained at the Glasgow School of Art, where she met MacNair. Her work and development has much in common with those of her sister, although her figures tend to be more emaciated and anguished. Like Margaret's, her work is characterised by an interest in symbolism, mythology and fairy subjects. By 1900 she moved to Liverpool, where MacNair was Instructor in Design at the School of Architecture and Applied Art, but they returned to Glasgow in 1908. MacNair had little success as a watercolourist and life for the couple was difficult. Such late works as Man makes the beads of life but women thread them and Tis a long path which wanders to desire are no doubt a reflection of this.

Frances MacNair died in 1921 at the age of 47, reportedly of a cerebral haemorrhage, although rumour persisted that she had taken her own life. After her death, Herbert MacNair destroyed most of her work, as well as his own.

FIND PRINTS & BOOKS

Poster for an Exhibition at the Glasgow Institute of the Fine Arts
Prints & Posters  
Painting Women: Victorian Women Artists
Books  
The Last Romantics: The Romantic Tradition in British Art : Burne-Jones to Stanley Spencer
Books  

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