ArtMagick Exhibition Listings
The exhibitions section is currently being refreshed, and will be relaunched soon.
In partnership with TGW Solutions
Browse Exhibitions by Title
Tip: if looking for 'The Age of Rossetti, Burne-Jones and Watts' look under 'A'; for 'A Picture of Britain' look under 'P'.
ABCDEFGHIJKLMNOPQRSTUVWXYZ
- Painted with Words: Vincent van Gogh's Letters to Émile Bernard
- Painterly Controversy: William Merritt Chase and Robert Henri
- Painters of American Life: The Eight
- Painters of Dreams
- Painters of Light: Sargent and Sorolla
- Painters of the Soul - Symbolism in France
- Painting History: Delaroche and Lady Jane Grey
- Painting Lake George: 1774 - 1900
- Painting on the Edge: Britain's Seaside Art Colonies
- Painting the Beautiful: American Impressionist Paintings from the Michener Art Museum Collection
- Paintings by Joseph Southall (Sixty Works from the Fortunoff Collection)
- Paintings from Poland: Symbolism to Modern Art (1880-1939)
- Paintings from the Reign of Victoria: The Royal Holloway Collection, London
- Paintings Unwrapped
- Paintings, Prints, and Drawings from the Age of Napoleon and Josephine
- Palaces in the Night: The urban landscape in Whistler's prints
- Palladio
- Paris - New York; Modern Paintings in the 19th and 20th Centuries
- Paris 1900
- Paris 1900: Graphic Design in Revolt
- Paris and the Countryside: Modern Life in Late 19th-Century France
- Paris in Transition: Photographs from the National Gallery of Art
- Paris Portraits: Artists, Friends and Lovers
- Paris Posters: The Art of the Streets
- Parrot in Art: From Dürer to Elizabeth Butterworth, The
- Passing through Paris: American Artists in France, 1860-1930
- Passion and Politics: Two Centuries of British Art
- Passport to Europe: Six Centuries of Treasures from Museo de Arte de Ponce
- Passport to Paris: Nineteenth-Century French Prints from the Georgia Museum of Art
- Pastels from the Permanent Collection
- Paths to Fame: Turner's Watercolour Landscapes
- Paths to Impressionism: French and American Landscape Painting from the Worcester Art Museum
- Paths to the Press: Printmaking and American Women Artists, 1910-1960
- Paul Klee: Masterpieces of the Djerassi Collection
- Paul Mellon: A Cambridge Tribute
- Paul Mellon's Legacy: A Passion for British Art
- Paul Nash: The Elements
- Paula Modersohn-Becker and Art in Paris around 1900: From Cézanne to Picasso
- Peder Balke - A Pioneer of the Modern
- Peintres de l'Ame
- Pekka Halonen
- People Watching with Phil May
- Perfect Medium: Photography and the Occult, The
- Persian Sensation: Rubáiyát of Omar Khayyám in the West, The
- Personal Perspectives: Aspects of American Photography
- Perspectives in Oil
- Peter Fendi and His Circle
- Peter Rabbit: the tale of the Tale
- Phantasmagoric universe of Odilon Redon, The
- Philippe de Chennevières - Collector of French 19th century drawings
- Photographing Art, the birth of a genre
- Photography of Lewis Carroll, The
- Picasso and the circus
- Picasso: Challenging the Past
- Pictorial Photography in Europe
- Pictorialist Photographs
- Picture of Britain, A
- Picturing Health: Norman Rockwell and the Art of Illustration
- Picturing Jerusalem
- Pierre Bonnard: The Late Interiors
- Pierre Loti (1850-1923) - Fantômes d’Orient
- Pioneering Modern Painting: Cézanne and Pissarro 1865–1885
- Pioneering Painters: The Glasgow Boys 1880–1900
- Piranesi as Designer
- Pissarro The First Impressionist A Retrospective Exhibition
- Pissarro: Creating the Impressionist Landscape
- Place to Rejoice: aspects of Grasmere's history, A
- Plains of Mars: European War Prints, 1500—1825, from the Collection of the Sarah Campbell Blaffer Foundation, The
- Plein Air: The Hague School and the School of Barbizon
- Points of View: Capturing the 19th century in photographs
- Portrait of a Lady: American Paintings and Photographs in France, 1870–1915
- Power and Poetry: The Art of John Linnell
- Power of Conversation: Jewish Women and Their Salons, The
- Powerful Hand of George Bellows, The
- Pre-Raphaelite and other Masters: The Andrew Lloyd Webber Collection
- Pre-Raphaelite Drawings
- Pre-Raphaelite Drawings
- Pre-Raphaelite Drawings
- Pre-Raphaelite Dream, The
- Pre-Raphaelite Lens: British Photography and Painting, 1848–1875, The
- Pre-Raphaelite Vision: Truth to Nature
- Pre-Raphaelite Works on Paper from the Collection
- Pre-Raphaelites and Italy, The
- Pre-Raphaelites and Olympians
- Pre-Raphaelites and the Book
- Pre-Raphaelites, The
- Pre-Raphaelites, The
- Pre-Raphaelites: Victorian Art and Design, 1848-1900
- Pre-Raphaelites: Victorian Avant Garde
- Pretty Women: Freer and the Ideal of Feminine Beauty
- Prints Gone Wild: John James Audubon
- Prints of Albrecht Dürer, The
- Private and Public: Class, Personality, Politics, and Landscape in British Photography
- Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, A
- Private Passions for Public Pleasures
- Private Treasures: Four Centuries of European Master Drawings
- Proper Decoration of Book Covers: Life and Work of Alice C. Morse, The
- Proserpina and the Language of Flowers: John Ruskin's Botanical Studies
- Prussian correctness and Berlinesque wit: The painter Franz Krüger (1797–1857)
- Public portraits, private portraits 1770 - 1830
- Puvis de Chavannes
- Puvis De Chavannes, 1824-1898